https://jiangshengyunovapan.cargo.site Jiangshengyu Nova Pan Thu, 31 Oct 2024 02:24:19 +0000 https://jiangshengyunovapan.cargo.site en https://jiangshengyunovapan.cargo.site/Ghosts Wed, 30 Oct 2024 21:29:13 +0000 Jiangshengyu Nova Pan https://jiangshengyunovapan.cargo.site/Ghosts Ghosts 2024 size variable,&nbsp;8min36sdouble channel video, Super 8 transferred to HD, sound This film intertwines an interpretation of the ancient Chinese tale '离魂记' (Spirit Out of Body) with travel footage captured at Shofuso, a Japanese architectural transplanted from Japan. This work explores the relationship between distant places and our bodies. A contemplation of the annihilation of space by time. &nbsp; <img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/158995ddfbca661c012bb509ba65ec9ef7e222ba440f2327809cf6f528a29b0d/Pan_Nova_Ghosts_2024.jpg" data-mid="220689531" border="0" src="https://freight.cargo.site/w/1000/i/158995ddfbca661c012bb509ba65ec9ef7e222ba440f2327809cf6f528a29b0d/Pan_Nova_Ghosts_2024.jpg" /><img width="1878" height="1584" width_o="1878" height_o="1584" data-src="https://freight.cargo.site/t/original/i/ef759c9eb92199ec610f0f8a97b15e6a960c90ddc02d3b0978929d1871ae324c/pic2.jpg" data-mid="220654139" border="0" src="https://freight.cargo.site/w/1000/i/ef759c9eb92199ec610f0f8a97b15e6a960c90ddc02d3b0978929d1871ae324c/pic2.jpg" /><img width="1382" height="1060" width_o="1382" height_o="1060" data-src="https://freight.cargo.site/t/original/i/f5d07e2ca1f09a2db9f68475294b86c465ac88fce6ee84e7bd3f31c2defd10f1/Screen-Shot-2024-10-08-at-12.19.22-AM.png" data-mid="220689550" border="0" src="https://freight.cargo.site/w/1000/i/f5d07e2ca1f09a2db9f68475294b86c465ac88fce6ee84e7bd3f31c2defd10f1/Screen-Shot-2024-10-08-at-12.19.22-AM.png" /> https://jiangshengyunovapan.cargo.site/as-if-passing-through-an-open-corridor Wed, 30 Oct 2024 21:29:13 +0000 Jiangshengyu Nova Pan https://jiangshengyunovapan.cargo.site/as-if-passing-through-an-open-corridor as if passing through an open corridor 2023 &nbsp; 140 inches X 110 inches X 20 inches Wood, foam, projection, sound The video consists of footage shot on vehicles from the past five years. Remarkably, to avoid the lockdown during the covid, I moved between cities more than before. These minutiae of&nbsp; moving moments are amplified, given a rhythm that is natural to the medium of video. This medium extracts, repeats, cuts, interrupts, reassembles, and stitches; an exploration of seeing the pattern of mobility. A see-through partition in the center of the area serves as the projection surface for the video, while allowing spectators to stand facing one another. Enabling the exterior and interior (inside and the outside) to be formed.&nbsp; <img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/b856a12fb1910ff1ad178ae7c94c81916fee550878b9501ed8dc5a8f615f6596/_56A1720.jpg" data-mid="220667220" border="0" src="https://freight.cargo.site/w/1000/i/b856a12fb1910ff1ad178ae7c94c81916fee550878b9501ed8dc5a8f615f6596/_56A1720.jpg" /><img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/5ed3cdb67c45e80e3c324949b684c80c84c5ae448507a4b55a47301e6ef5c4c7/_56A1767.jpg" data-mid="220667316" border="0" src="https://freight.cargo.site/w/1000/i/5ed3cdb67c45e80e3c324949b684c80c84c5ae448507a4b55a47301e6ef5c4c7/_56A1767.jpg" /><img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/cccd3f91c95a74a5dfcd89eb97c13dd167ae9f449bf4c56f544d22a734feb9e8/_56A1758.jpg" data-mid="220667416" border="0" src="https://freight.cargo.site/w/1000/i/cccd3f91c95a74a5dfcd89eb97c13dd167ae9f449bf4c56f544d22a734feb9e8/_56A1758.jpg" /> https://jiangshengyunovapan.cargo.site/like-don-t-know-which-word-will-blurt-out-next Wed, 30 Oct 2024 21:29:14 +0000 Jiangshengyu Nova Pan https://jiangshengyunovapan.cargo.site/like-don-t-know-which-word-will-blurt-out-next like, don't know which word will blurt out next 2023 size variable, 10min40s Single channel video, black &amp; white, sound This work is about the nomadic life we have been through. About the banality and profound of speaking and listening to a language that our body can’t react to correctly. <img width="2556" height="1439" width_o="2556" height_o="1439" data-src="https://freight.cargo.site/t/original/i/1c167c77a456195612a0424f0ffa01e5bf3c04bb46bd0cea80a528cf5f56ac5f/like_ss1.jpg" data-mid="220687975" border="0" src="https://freight.cargo.site/w/1000/i/1c167c77a456195612a0424f0ffa01e5bf3c04bb46bd0cea80a528cf5f56ac5f/like_ss1.jpg" /><img width="2880" height="1620" width_o="2880" height_o="1620" data-src="https://freight.cargo.site/t/original/i/8f0238cea518befaa6ba536f7efec63c78533e56943a346bb34f06b7e3291ec1/Screen-Shot-2023-05-08-at-9.19.52-PM.png" data-mid="220668647" border="0" src="https://freight.cargo.site/w/1000/i/8f0238cea518befaa6ba536f7efec63c78533e56943a346bb34f06b7e3291ec1/Screen-Shot-2023-05-08-at-9.19.52-PM.png" /> https://jiangshengyunovapan.cargo.site/City-Sample Wed, 30 Oct 2024 22:50:56 +0000 Jiangshengyu Nova Pan https://jiangshengyunovapan.cargo.site/City-Sample City Sample 2022 &nbsp; size variable wire, gelatin, mussel shell, glass pebbles, petri dish, printed paper, clip, projection The light of the exhibit space will go from light to dark mimicking the daylight. The projection part is a multichannel projection mapping loop. <img width="6000" height="3376" width_o="6000" height_o="3376" data-src="https://freight.cargo.site/t/original/i/4fadccfc0b840a8d16d4b4bfbd4113a865cd71b778fefc489a19985ca0e84247/DSC08200.jpg" data-mid="220670506" border="0" src="https://freight.cargo.site/w/1000/i/4fadccfc0b840a8d16d4b4bfbd4113a865cd71b778fefc489a19985ca0e84247/DSC08200.jpg" /><img width="5169" height="2908" width_o="5169" height_o="2908" data-src="https://freight.cargo.site/t/original/i/709dcd37982eb81973eae50d100e442c96fe82f0e1ec49888858706b2e7d8b00/DSC08206.jpg" data-mid="220670507" border="0" src="https://freight.cargo.site/w/1000/i/709dcd37982eb81973eae50d100e442c96fe82f0e1ec49888858706b2e7d8b00/DSC08206.jpg" /> https://jiangshengyunovapan.cargo.site/Multi-screen-Cinema Wed, 30 Oct 2024 21:29:14 +0000 Jiangshengyu Nova Pan https://jiangshengyunovapan.cargo.site/Multi-screen-Cinema Multi-screen Cinema 2023 8 in X 14 in X 9 in&nbsp; wire, mussel shell, paper, clip A model of multi-screen cinema for future installation. <img width="2000" height="1317" width_o="2000" height_o="1317" data-src="https://freight.cargo.site/t/original/i/960fd981421c9094528c2051339ea55dc054d72f56780f5611258cb92fda5049/Pan_Nova_multi-screen-cinema_2022.png" data-mid="220669030" border="0" src="https://freight.cargo.site/w/1000/i/960fd981421c9094528c2051339ea55dc054d72f56780f5611258cb92fda5049/Pan_Nova_multi-screen-cinema_2022.png" /> https://jiangshengyunovapan.cargo.site/Reticular-interruption-and-its-private-collection Wed, 30 Oct 2024 22:46:49 +0000 Jiangshengyu Nova Pan https://jiangshengyunovapan.cargo.site/Reticular-interruption-and-its-private-collection Reticular interruption and its private collection 2022 size variable&nbsp; wire, mussel shell, paper, clip A long strip of wire mesh, attached with mussel shells, hangs down. I imagine the eggs of the mussel will breed in it. Wire objects are scattered on the ground—they don’t move, select, or act. They simply exist as interruptions, allowing various things to pass through or stay. It’s a long wait, and when the capture becomes a wait, is the capture a capture or a natural fateful encounter? or a natural, fateful encounter? Together, we facilitated this consensual encounter or capture. It embodies desire, continuation, and the end of life, evoking the presence of flux. <img width="3000" height="1688" width_o="3000" height_o="1688" data-src="https://freight.cargo.site/t/original/i/f25dc1a5655df9d6d8d248dfbb356ab63bee1b4d6a4d28d84f920e97df6a8a9e/_E1A1063-copy.jpg" data-mid="220670427" border="0" src="https://freight.cargo.site/w/1000/i/f25dc1a5655df9d6d8d248dfbb356ab63bee1b4d6a4d28d84f920e97df6a8a9e/_E1A1063-copy.jpg" /><img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/6c909b6a9226ccecf3cc68a34476d65344bdd17b3b6621bb29111ee67ebc042d/_E1A1120-copy.jpg" data-mid="220670428" border="0" src="https://freight.cargo.site/w/1000/i/6c909b6a9226ccecf3cc68a34476d65344bdd17b3b6621bb29111ee67ebc042d/_E1A1120-copy.jpg" /> https://jiangshengyunovapan.cargo.site/Sampling Wed, 30 Oct 2024 22:28:19 +0000 Jiangshengyu Nova Pan https://jiangshengyunovapan.cargo.site/Sampling Sampling 01 &nbsp; 2023 3.5 in X 3.5 in X 3.5 in wire, mussel shell, seeds, printed paper, clip, foil, gelatin Sampling 022023 3.5 in X 3.5 in X 3.5 in wire, mussel shell, seeds, printed paper, clip, foil, gelatin <img width="2000" height="2000" width_o="2000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/d521bddeb103384ef7d7a9041fc0df159dbfebf0c87dd3b0526c55e3dc98428b/sample02.jpg" data-mid="220688238" border="0" src="https://freight.cargo.site/w/1000/i/d521bddeb103384ef7d7a9041fc0df159dbfebf0c87dd3b0526c55e3dc98428b/sample02.jpg" /><img width="2000" height="2000" width_o="2000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/c67079fe369721a6b565927f8f60627436a4cb8399c0e74958adc12c3b53dbd7/sample03.jpg" data-mid="220688239" border="0" src="https://freight.cargo.site/w/1000/i/c67079fe369721a6b565927f8f60627436a4cb8399c0e74958adc12c3b53dbd7/sample03.jpg" /> https://jiangshengyunovapan.cargo.site/Linear-interruption-and-its-public-collection Wed, 30 Oct 2024 22:48:34 +0000 Jiangshengyu Nova Pan https://jiangshengyunovapan.cargo.site/Linear-interruption-and-its-public-collection Linear interruption and its public collection 2022 40 inches X 78 inches X1 inch wire, fish line, mussel shell, seeds, glass, photo, clip, tape, found objects Wires are woven to become a barrier. I imagine it being put into water, wind, and light. What we make, use, and what remains are "caught" by it, unintentionally. Or, instead of capturing, it is just its presence/existence, to keep debris here. <img width="2600" height="1847" width_o="2600" height_o="1847" data-src="https://freight.cargo.site/t/original/i/b1fa83512b05d455c91c918be589f8a8598ab4bcdabf6a96189cf08a7d295563/IMG_2588.jpg" data-mid="220670473" border="0" src="https://freight.cargo.site/w/1000/i/b1fa83512b05d455c91c918be589f8a8598ab4bcdabf6a96189cf08a7d295563/IMG_2588.jpg" /><img width="2600" height="3467" width_o="2600" height_o="3467" data-src="https://freight.cargo.site/t/original/i/68f25d701b9bff3e7def90bb66f939584a2e45b92b802d36c8db803704fe8b7e/IMG_4597.jpg" data-mid="220670479" border="0" src="https://freight.cargo.site/w/1000/i/68f25d701b9bff3e7def90bb66f939584a2e45b92b802d36c8db803704fe8b7e/IMG_4597.jpg" /> https://jiangshengyunovapan.cargo.site/come-here Thu, 31 Oct 2024 02:24:12 +0000 Jiangshengyu Nova Pan https://jiangshengyunovapan.cargo.site/come-here Come Here 2021 size variable, 4min20s single-channel video, color, sound A man arrived in an uninhabited land. He began to imagine how this land would be transformed by him. In the video, he points to the landscape he saw and excitedly described his vision. He wants to build a magnificent house, a huge farm, an orchard with various fruits, an endless wheat field, and so on. His imagination and his description are intertwined to form this video. <img width="2860" height="1606" width_o="2860" height_o="1606" data-src="https://freight.cargo.site/t/original/i/9112f8e21d67c8fdf1743d97057f53e42b69b77dc602d9927e1de4e2ea18f616/Screen-Shot-2024-10-30-at-10.29.49-PM.png" data-mid="220688177" border="0" src="https://freight.cargo.site/w/1000/i/9112f8e21d67c8fdf1743d97057f53e42b69b77dc602d9927e1de4e2ea18f616/Screen-Shot-2024-10-30-at-10.29.49-PM.png" /><img width="2866" height="1608" width_o="2866" height_o="1608" data-src="https://freight.cargo.site/t/original/i/fe9a65934c0328da423474834db91ecc355b1968fb0bce474ac899cfed1f5820/come-here.png" data-mid="220688160" border="0" src="https://freight.cargo.site/w/1000/i/fe9a65934c0328da423474834db91ecc355b1968fb0bce474ac899cfed1f5820/come-here.png" /><img width="2552" height="1432" width_o="2552" height_o="1432" data-src="https://freight.cargo.site/t/original/i/daefeb0b92a15a58dcbcc9caa469f58e18bb965209480bec7ea40e5ca79c8bd6/Screen-Shot-2024-10-30-at-10.28.37-PM.png" data-mid="220688180" border="0" src="https://freight.cargo.site/w/1000/i/daefeb0b92a15a58dcbcc9caa469f58e18bb965209480bec7ea40e5ca79c8bd6/Screen-Shot-2024-10-30-at-10.28.37-PM.png" /> https://jiangshengyunovapan.cargo.site/lean-on-liquid Thu, 31 Oct 2024 02:24:19 +0000 Jiangshengyu Nova Pan https://jiangshengyunovapan.cargo.site/lean-on-liquid lean on liqud 2020 size variable, 7min 29s single-channel video, color, sound In the video, a monologue I wrote which influenced by New York immigrants as well as Zygmunt Bauman’s “Liquid Modernity” and “liquid Love”, was interpreted by a middle- aged man in Beijing. He migrated to Beijing in the 90s after his divorce and devoted himself to dancing. He goes to ballroom dance club everyday dancing with different people now. This work explores the task of disembedding and re-embedding of an individual in the fast speed movement created by contemporary society. <img width="2152" height="1204" width_o="2152" height_o="1204" data-src="https://freight.cargo.site/t/original/i/3f07c7bea8cc597fa377e63d1edbe53be64896a9edfe40ee88bb0463cffca3fb/Screen-Shot-2024-01-25-at-6.28.03-PM.png" data-mid="220688189" border="0" src="https://freight.cargo.site/w/1000/i/3f07c7bea8cc597fa377e63d1edbe53be64896a9edfe40ee88bb0463cffca3fb/Screen-Shot-2024-01-25-at-6.28.03-PM.png" /><img width="2410" height="1350" width_o="2410" height_o="1350" data-src="https://freight.cargo.site/t/original/i/40d3e3a3d1e0c76bd308ee410dfd1de333fce57472207c3086673912abcc90bb/Screen-Shot-2024-01-25-at-6.37.47-PM.png" data-mid="220688190" border="0" src="https://freight.cargo.site/w/1000/i/40d3e3a3d1e0c76bd308ee410dfd1de333fce57472207c3086673912abcc90bb/Screen-Shot-2024-01-25-at-6.37.47-PM.png" />